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Ouro Preto
The masterpiece of colonial architecture in Brazil. Declared by UNESCO as a "Cultural Patrimony of Mankind". Its churches mark the culmination of Golden Age architecture, with carved works painted entirely in gold. |
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| The City |
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Ouro Preto is a treasure of details, gorgeous mansions, curved windows, with wrought-iron frames, grilled baroque balconies, antique street lanterns, and cobblestone streets that meander up and down the steep hillsides.
It is now a real univercity town with the bohemian flair that students bring.
Other Historical Cities:
CONGONHAS
Congonhas contains important works from the Golden Age of Brazil. The main points of interest are Aleijadinho's sculptural masterpieces of the twelve Prophets, carved in soapstone and his sculptural representation of the Via Crucis (Stations of the Cross), done in polychromatic woodwork. The set of life-sized sculptures is Brazil's greatest artistic treasure.
MARIANA
The enchanted city, founded in 1696, was, for a short time the capital of State of Minas Gerais. It was originally called Royal Village of Our Lady of Carmel. In 1745 it received its present name which was in honor of Queen Maria Ana. A walk down its picturesque streets allows you to see houses which date from the beginning of the XVIII century, with their balconies of wood, iron and even soapstone.
In Minas Gerais Plaza, the churches of St. Francis of Assisi with its richly sculptured door, our Lady of Carmel, the City Hall and the Pillory can be found.
SAO JOAO DEL REI
The settlement was founded in 1703, when gold was discovered in the area. Being at the junction of the various roads that cut across the interior on the Capitania, Sao Joao always fulfilled important functions, such as the political centre and commercial axis. Significant urbane and religious architecture developed there, accumulating an excellent cultural collection.
TIRADENTES
It was the first settlement in the Rio das Mortes region when gold was found in 1702. Tiradentes, who was born here, became our national hero while participating in the lnconfidência Mineira (1789) , a republican liberation movement in Minas Gerais that was repressed by the Portuguese.
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| History |
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At the end of the seventeenth century, an expedition formed by bandeirantes (inhabitants of Sao Vicente, now the state of Sao Paulo) and led by a sertanista (backcountryman) who became a legendary figure in Brazilian history, Fernao Dias Paes, penetrated the sertao in the direction of what is today the central region of Minas Gerais in search of emeralds.
Fernao Dias died in the region having found instead of emeralds only green tourmalines, but his expedition opened up a new route into the Brazilian interior. A few years later, alluvial gold was discovered in amounts never before seen in colonial Brazil by some original members of the Fernao Dias expedition.
Thus began both the history of Minas Gerais and the gold chapter in colonial Brazilian life, the so-called "Golden Age of Brazil."
When the news spread that gold had been discovered in territory then belonging to the Captaincy of Sao Vicente (Sao Paulo), garimpeiros (prospectors) poured in from all the coastal regions of Brazil, as well as from Portugal.
The early years of the gold rush in Minas were difficult ones. Hunger, violence and social conflict were endemic in the territory. Contributing to the unrest was a long-standing dispute between the Paulista bandeirantes, who saw themselves as owners of the mines they had discovered, and the outsiders, or "emboabas," who had come from other regions.
In 1708, after a conflict of several years, the emboabas who were already more numerous than the Paulistas appeared to be victorious, but the Portuguese governor of Rio de Janeiro, Antonio de Albuquerque, intervened and exiled the emboaba chief, Manuel Nunes Viana, to the Sao Francisco river region.
Population growth and the economic importance of the new region led naturally to the creation, in 1709, of the new captaincy of Sao Paulo and Minas do Ouro, with Antonio de Albuquerque as its first governor.
The gold-mining area of colonial Brazil encompassed an area greater than 2 million square kilometers, including not only the center of Minas Gerais but also parts of the current states of Goias and Mato Grosso.
The exploration for gold was a monopoly of the Portuguese crown, though it conceded mineral rights to individuals who then were required to pay taxes on the gold they mined. Production between 1700 and 1800 was estimated at 1000 metric tons. By today's standards, this may not have been a large figure, but the Brazilian gold which arrived in Europe during the eighteenth century at the beginning of the lndustrial Revolution was of enormous importance in the economic history of Western Civilization.
In 1702, the Portuguese crown, though it had not yet instituted a governmental system, created an Intendencia das Minas (Department of Mines) whose purpose was to collect taxes on mineral production, though the methods of collection varied considerably through the course of the 18th century.
In 1720, a rebellion broke out in Vila Rica, in opposition to the creation of the Casa de Fundicao (Foundry): henceforth, according to the crown, gold could circulate only after having been smelted and registered in the official foundry, which immediately collected 20% (the quinto or "royal fifth") of the total smelted. The leader of the revolt, Felipe dos Santos, was quickly defeated and condemned to death by the metropolitan (Portuguese) authorities, who also ordered that the houses of the outhers accused be burned. One can still see in Ouro Preto the Morro da Queimada (the Hill of the Burned), the area where the rebels lived.
The aggressiveness of the Mineiros, along with the smuggling and general lack of order in the region, finally persuaded the Portuguese to create, on September 12, 1720, the captaincy of Minas Gerais, which in turn stimulated further urban growth in the region.
An additional source of wealth were the diamonds (the mining of which, like that of other precious stones, was a monopoly of the crown) which were discovered in the Diamond District, created in 1734 in the region whose principal towns today are Diamantina and Serro.
Portugal refined its system of collecting tributes and taxes in the region still further by prohibiting, in 1725, the circulation of gold dust. it was stipulated that the treasury receive a minimum of 100 arrobas (around 1,500 kilos) per year, which would require an annual production of around 7,500 kilos. If that total were not reached, the local population whould have to pay an additional "derrama" (levy), an event which actually happened in 1762 and 1768.
Meanwhile, from 1762 on, the mines were showing signs of exhaustion, and the royal fifth never again reached 100 arrobas. In 1773, during the administration of D. Rodrigo Jose de Menezes, the Junta da Real Fazenda (Royal Treasury Committee, responsible for tax collection) sent a representative to the king to indicate the impossibility of reaching the figure of 100 arrobas. Despite this, the cities of gold grew, the population put down deep roots in the region and the colonial arts (music, painting, sculpture, architecture) took on forms and characteristics which would give them a distinct identity.
In July, 1788, a new governor - Luis Antonio Furtado de Menezes, Viscount Barbacena - arrived in Minas Gerais with special instructions to bring order into the Captaincy in which gold production was declining and social unrest increasing.
A new levy was required to satisfy Portuguese demands; but times had changed and the Mineiros planned to resist. The governor learned of the plot and the Inconfidencia Mineira (Rebellion) was aborted - but the tax was not levied. Not many years later, the old absolutist colonial system collapsed. But from the Golden Age remained the legacy of beautiful cities such as Ouro Preto, their churches and the Baroque art of Brazilian interior. And it is this legacy which we are going to see and experience.
Text from: Visiting Ouro Preto, Mariana and Congonhas; Ouro Preto Turismo
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| General Inf |
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TELEPHONE AREA CODE
031
CLIMATE
The climate of Minas Gerais is characterized by two distinct seasons: the wet season (October to February) and the dry season (March to April). The rainy season is quite warm, but cooler than the heat of Rio, and has daily downpours,which luckily rarely last for long. The dry season , on the other hand, is cooler and from July to September it can actually get a little cold.
CLOTHING
The atmosphere in the historical cities is more relaxed and formal dressing is certainly not necessary. During the dry season it is recommended that you have a cardigan or jacket at hand for the cool evenings.
ELECTRICITY
110V
AIRPORT
There are two airports. Most flights arrive at the International airport, Confins, also known as Aeroporto Tancredo Neves. Other airport, Pampulha, is where the Rio and Sao Paulo shuttle flights arrive - better option for business passengers.
MEDICAL
Brazil has a number of internationally respected hospitals, clinics and doctors but treatment is expensive so visitors are strongly advised to take out medical insurance before travelling to Brazil.
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| How To Get There |
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The city is 410km from Rio de Janeiro and 635km from São Paulo.
You can come flying to both airports in Belo Horizonte, Pampulha or Confins, and get a transfer to Ouro Preto.
If flight connections are late afternoon and you are not in a hurry, we recommend a calm journey first to Belo Horizonte and then you can continue the trip to the Highlands of Ouro Preto the next day. If you drive through the night, you will miss the beautiful landscape and, anyway, the main atractions in Ouro Preto don't open before noon.
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| Restaurants |
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Le Coq d'or XXX $$ (Hotel Solar Nossa Senhora do Rosario) - R. Getulio Vargas, 270 (Lg. do Rosario), tel. 3551-5200; cc: all, 12h/15h, 19h/23h. French/Local.
Delicious meals enhanced by local spices, are served in a beautiful setting. Surubim (a sweet water fish) sauteed in red wine with cinnamon; duck brest fillet with pitanga sauce and pumpkin puree; pork´s loin with jabuticaba sauce. The menu changes according to the time of year.
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| Night Life |
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Ouro Preto is a university town therefore you will find a wide range of lively student bars to choose from, particularly around Tiradentes Square.
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Remarkable Features
Those arriving to ancient Vila Rica (Rica Village) can not ignore the beautiful and homogeneous architectonic set. Seduction comes next.
Walk over its streets creates an involvement that even before you can notice it you are already in love with the city, owner of an incredible asset and which was been awarded with the title of Heritage of Humankind. Important personalities lived there who in past times changed the history of this country. Among them: Tiradentes, Thomaz Antonio Gonzaga, Cláudio Manuel da Costa, Aleijadinho, Alvarenga Peixoto, Mestre Ataíde, among others.
Main attractions
Ouro Preto is one of the major touristic destinations in Minas Gerais. In the weekends and long holidays, the city is full of tourists. Excellent hotels have appeared to support the demand. Generally, they combine the baroque splendor with the comfort and facilities of modern life.
Ouro Preto is completed by its flavors. The senses are grouped and intensified. The baroque warmth, legends, beautiful views, the gold and gems hardness... Ingredients that refine the taste in a city full of excellent options. The authentic food of Minas Gerais (tutu, chicken with okra, "tropeiro" bean, and home desserts), in addition to Italian and French cuisine, are very well represented.
This set and its churches and museums provides Ouro Preto with the world's largest Baroque architectonic set. In 1980 the city was declared Heritage of Humankind.
Churches
N. Sra. do Pilar Main Church - The project of this church, considered as one of the most refined in the baroque period, is credited to Pedro Gomes Chaves. The carved work on the main chapel was made by Francisco Xavier de Brito. The collection also includes a magnificent gold-coated carved work and more than 400 coated angel characters. Around 400 kg of gold and another 400 kg of silver were used in its embellishment.
N. Sra. do Carmo Church - The design is from Manoel Francisco Lisboa, Aleijadinho's father, and it was built between 1766 and 1772. It was attended by the aristocracy of Vila Rica.
N. Sra. do Rosário Church - It is a rare example of the Minas Gerais baroque, with its circular, and therefore unique, façade. Its construction, started in 1785, replaced the primitive chapel. Contrasting with the external aspect, the interior aspect is quite simple, evoking black saints.
São Francisco de Assis Church - The most famous church in Ouro Preto, one of the most magnificent samples of the Minas Gerais baroque. Its construction started in 1766. It is considered Aleijadinho's master piece, who is also responsible for the building's overall risk, portal, master altar's rostrum, side altars and master chapel.
N. Sra. da Conceição Main Church - Its construction went from 1727 to 1746. The project and execution were the responsibility of Manuel Francisco Lisboa, Aleijadinho's father. Both are buried in the church. Attached to it, there is the Aleijadinho Museum.
São Francisco de Paula Church - It was the last church built on the colonial period, with execution started in 1804. The patron's image, which is currently at the Aleijadinho Museum, is credited to the master. From its churchyard there is a beautiful view of the city.
N. Sra. das Mercês e Perdões (Mercês de Baixo) - Built between 1740 and 1772 and restored in the mid 20th Century.
Santa Efigênia Church or N. Sra. do Rosário do Alto da Cruz Church - It took 60 years (1730-1790) to build it. Manuel Francisco Lisboa participated on the project, and the main chapel's carved work is credited to Francisco Xavier de Brito. The oral tradition says that it was built thanks to the gold from the Encardideira Mine, acquired by Chico Rei. In the façade there are the stone clocks, considered the oldest in the city.
N. Sra. das Mercês e Misericórdia (Mercês de Cima) Church - Church built between 1771 and 1793. The central tower was designed by Manuel Francisco de Araújo.
São José - Belonged to a brotherhood that gathered various artists. The main chapel retable and tower traces are credited to Aleijadinho. Built between 1730 and 1811.
Bom Jesus de Matozinhos or São Miguel e Almas Church - Its construction started around 1778. In the main door - crowning - the image of Saint Michael Archangel is supposedly from Aleijadinho. Inside the church, the paintings of the last supper and crucifying are credited to Mestre Ataíde.
São João Batista Chapel - It is the oldest temple in Ouro Preto, built by determination from the bandeirante Antônio Dias in 1698.
Santana Chapel - Built before 1720, near the old gold mines.
Museums
House of the Contos - Dated from 1782 to 1787, it was built by João Rodrigues de Macedo, tax collector for the Capitania of Minas Gerais, who established there his home and administration to his businesses. It served to different purposes, including jail to the partisans of the Inconfidencia Mineira. Currently, it hosts the Gold Cycle Study Center, the Currency and Exchequer Museum and the Ouro Preto IRS Agency, as well as a gallery.
Science and Technical Museum of the Escola de Minas - Created in 1877 as Mineralogy Museum by the French Claude Henri Gorceix, founder of the Escola de Minas. In 1995, it was expanded and started being called Science and Technical Museum of the Escola de Minas. Nine sectors are already implemented: Natural History (zoology e paleontology), Mining, Mineralogy, Metallurgy, Steel Metallurgy, Drawing, Topography, Astronomy, and Electrotechnics. There are more than 30 thousand pieces from all over the world.
Oratory Museum - Headquartered in the old Novicehood house, the museum gathers pieces of different styles that rescue the traditional religious habits of the Minas Gerais families.
Inconfidência Museum - Construction started in 1784, by the Municipal House of Representatives, during the Luís Cunha Menezes term in office. The works were interrupted several times, so the building was only ready in 1846. It was a city court and a jailhouse. In 1944, the Museum was opened, with a collection that gathers documents and objects that evoke the Inconfidência Mineira and several works of the Minas Gerais Historical and Artistic Heritage. The remains of the partisans of the Inconfidencia rest in the museum. The Museum also has an auditorium annex and the Manuel de Ataíde Room, for temporary exhibits.
Ouro Preto also has other attractions, like: The Aleijadinho Museum, the Guignard House, the Reduções Museum (Amarantina), the Museum of Metallurgy, the State Park of Itacolomy, and countless districts - Amarantina 9 Gota de Minas Rural Inn), Santo Antonio do Leite (30 km), Lavras Novas and Chapada.
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